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Prints and Principles: Ferdinand Gaillard's engraving, “L'homme à l'oeillet”, 1869, after Jan van Eyck
![Prints and Principles: Ferdinand Gaillard's engraving, “L'homme à l'oeillet”, 1869, after Jan van Eyck Prints and Principles: Ferdinand Gaillard's engraving, “L'homme à l'oeillet”, 1869, after Jan van Eyck](https://1.bp.blogspot.com/-QrYjeAmVBec/Xi1JQRqm4uI/AAAAAAAAllk/j8ZdVQu5EHcS2NdbuSD4JdhPUrlK0L9QgCEwYBhgL/s1600/Gaillard_VanEyck_composite.jpg)
Prints and Principles: Ferdinand Gaillard's engraving, “L'homme à l'oeillet”, 1869, after Jan van Eyck
![Prints and Principles: Ferdinand Gaillard's engraving, “L'homme à l'oeillet”, 1869, after Jan van Eyck Prints and Principles: Ferdinand Gaillard's engraving, “L'homme à l'oeillet”, 1869, after Jan van Eyck](https://1.bp.blogspot.com/-yqNQ2DthT9g/Xi1JRE8jd5I/AAAAAAAAllU/5Q9iauiRE7IczoDtDrciMJ3hBEKxWqMOQCLcBGAsYHQ/w1200-h630-p-k-no-nu/Gaillard_VanEyck_sheet_small.jpg)
Prints and Principles: Ferdinand Gaillard's engraving, “L'homme à l'oeillet”, 1869, after Jan van Eyck
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Prints and Principles: Francesco Bartolozzi's stipple etching, “Thomas Earl of Surry”, after Hans Holbein, 1795
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